In the second episode of the acclaimed new Netflix series, Frank Underwood continues his vendetta against his colleagues by convincing the denuded Secretary of Education to give over control of an important education bill and making the Secretary of State step down from office after looking like a racist jerk on national television. While Frank was able to accomplish quite a bit toward furthering his own agenda, much of the focus of this episode moved to Frank's wife Claire's struggles, both at work and in her relationship with Frank.
Robin Wright works very hard to make Claire Underwood downright inscrutable. It is nearly impossible to see what she is feeling beneath that shell of hers, both in terms of her decision to let go of most of her staff at her non-profit and in terms of her competitive/uncaring/caring/weird relationship with Frank. What we get from her is subtle, and it was wonderful to see Claire unpacked a little bit during this episode. If my interpretation is correct, Claire Underwood is concerned with aging and its ultimate result: death. This is why she bought a rowing machine for Frank, because health is one of the ways that we fight against entropy. This is also why she is going in such a difficult position with the non-profit: if she does not distinguish herself as hip and fresh, she and her entire enterprise will be distinguished as old and outmoded, and that's a situation where nobody wins. The question of mortality and replacement was hit home when Claire watches an older woman who is incapable of ringing up her coffee and who is immediately replaced by a younger, more capable employee.
These Death-of-a-Salesman-style themes permeate all of House of Cards. One needs only look to Frank being passed over for Secretary of State, Zoe Barnes rung-climbing past her colleagues because of her relationship with Frank, and the fact that the new education bill was written by six young wannabe-politicos to see this fact. The question becomes: Is Frank using this changing of the guard theme to his advantage or will he ultimately fail at his attempts because he's old and the next model has already come out?
House of Cards remains cleverly written and intelligently delivered. Kevin Spacey is still amazing, and he's even growing into that Southern accent a little bit better. The supporting cast is doing a great job of distinguishing themselves, but also of playing their parts. The second episode made it more clear to me just how fantastic the cinematography is in this series during a scene where Frank stands in front of a building in the night and the balance of light and darkness was absolutely stunning. Netflix pumped a lot of money into this series - this is true - but it is delightful to see that the money is going to good use. (If you've forgotten just how that much money can be misused, I direct your attention to Michael Bay's series of Transformers movies. What a waste!)
In the future, I'd like to see more about what made Frank and Claire Underwood into the people they are now, what their hopes and dreams were, what their early life was like, all that. It's not a problem yet, but if we don't get something that makes them more human within the first five episodes I fear it could hurt the program. As of now, however, House of Cards is the aces. (Get it?)
I've syndicated this review at Examiner. You can read it here. If you click on it a few times, spend some time there, or navigate to a new page, I might get some money. But I'm only asking that of you if you liked reading the article here and want to show your appreciation.
I think about a world to come where the books were found by the golden ones, written in pain, written in awe by a puzzled man who questioned, "What are we here for?" All the strangers came today and it looks as though they're here to stay.
-David Bowie "Oh! You Pretty Things"
Showing posts with label netflix. Show all posts
Showing posts with label netflix. Show all posts
Tuesday, February 12, 2013
Friday, February 8, 2013
House of Cards S01E01: "Chapter 1"
Frank Underwood is the House Majority Whip and architect of the president's recent successful election strategy, two facts that should clinch him an appointment to Secretary of State. In fact, this cabinet position was promised to Frank when he put his name in support of the president. House of Cards follows the drama that unfolds when Frank's victorious colleagues deny him what is rightfully his and Frank decides to dedicate his devious political prowess to vengeance against those who wronged him.
By episode one, I can already tell that this is some of Spacey's best work in years. He is multifaceted and downright frightening like he was in the Usual Suspects. He is matter-of-fact, sarcastic and somewhat conceited like in American Beauty. He acts, he reacts, he narrates, and if he doesn't win awards, I will be incredibly surprised. The supporting cast does their job, but nobody is stealing the spotlight from Spacey. Perhaps this is because of his brilliance, and perhaps it has more to do with his character's need to be vindicated. I originally thought Spacey talking to the camera like he was Zack on Saved by the Bell or Wayne in Wayne's World was weak and it underestimated the intelligence of the viewers, but now I believe that there is no other way to deliver the complexity of Spacey's character on the screen.
The big talk about House of Cards is that Netflix invested mounds of money in this series. The money was invested wisely, at least in terms of artistic value: House of Cards is written, directed and acted superbly. The series gives credit to a hypothesis that I have been developing that subscription services like Netflix and Hulu Plus are going to be the future refuge of well-written scripted television. Of course, two things remain to be seen, whether Netflix can make back at least as much money as they have put into this original series, and whether their risky move of releasing the entire first season of House of Cards at once will sit well with viewers. I will have to admit that the only negative I could think of in regards to this new series was that it feels weird not having a new episode each week, but like the many changes to Facebook that everyone always complains about, I think I will get used to it.
What I look forward to in House of Cards is how Frank Underwood is able to get revenge on the highest ranking members of his party without jeopardizing his party, his personal beliefs, the good of the people, and his soul in the process. Since the entire first season is already out, I'm sure there are those of you out there who already know that answer. For the sake of the rest of us, keep it to yourself.
I've syndicated this review at Examiner. You can read it here. If you click on it a few times, spend some time there, or navigate to a new page, I might get some money. But I'm only asking that of you if you liked reading the article here and want to show your appreciation.
By episode one, I can already tell that this is some of Spacey's best work in years. He is multifaceted and downright frightening like he was in the Usual Suspects. He is matter-of-fact, sarcastic and somewhat conceited like in American Beauty. He acts, he reacts, he narrates, and if he doesn't win awards, I will be incredibly surprised. The supporting cast does their job, but nobody is stealing the spotlight from Spacey. Perhaps this is because of his brilliance, and perhaps it has more to do with his character's need to be vindicated. I originally thought Spacey talking to the camera like he was Zack on Saved by the Bell or Wayne in Wayne's World was weak and it underestimated the intelligence of the viewers, but now I believe that there is no other way to deliver the complexity of Spacey's character on the screen.
The big talk about House of Cards is that Netflix invested mounds of money in this series. The money was invested wisely, at least in terms of artistic value: House of Cards is written, directed and acted superbly. The series gives credit to a hypothesis that I have been developing that subscription services like Netflix and Hulu Plus are going to be the future refuge of well-written scripted television. Of course, two things remain to be seen, whether Netflix can make back at least as much money as they have put into this original series, and whether their risky move of releasing the entire first season of House of Cards at once will sit well with viewers. I will have to admit that the only negative I could think of in regards to this new series was that it feels weird not having a new episode each week, but like the many changes to Facebook that everyone always complains about, I think I will get used to it.
What I look forward to in House of Cards is how Frank Underwood is able to get revenge on the highest ranking members of his party without jeopardizing his party, his personal beliefs, the good of the people, and his soul in the process. Since the entire first season is already out, I'm sure there are those of you out there who already know that answer. For the sake of the rest of us, keep it to yourself.
I've syndicated this review at Examiner. You can read it here. If you click on it a few times, spend some time there, or navigate to a new page, I might get some money. But I'm only asking that of you if you liked reading the article here and want to show your appreciation.
Tuesday, July 20, 2010
Netflix Streaming
Netflix streaming gives you the chance to watch unlimited movies and television programs on your computer without having to wait for DVDs to come in the mail. Not only that, but it's available through X-Box 360, Playstation 3 and Wii, as well as several other specialized devices listed here. I've had hours of fun beamed into my home through this service. Check out Netflix here.
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