The following is a simulblog with Arthur of Arthur the Lesser. You ought to be forewarned: there will be spoilers.
I will link to Arthur's article when it is made available.
I have been having a difficult time lately expressing how big and how sad it is that the final issue of Uncanny X-Men was released this week. Uncanny X-Men is the longest running book put out by Marvel Comics. With a couple of exceptions, it has run non-stop since its "genesis" in 1963. Those exceptions include the "cancellation" from after issue sixty-six and the temporary suspension of the book during the Age of Apocalypse and replacement by Astonishing X-Men. But even the canceled book continued to put out reprints from issue sixty-seven until ninety-three, and Astonishing X-Men was merely another name for Uncanny X-Men during the alternate-universe account of what would happen if Xavier died and Magneto continued in his footsteps. As of today, the longest running Marvel book is X-Men: Legacy, which was originally published as X-Men, Volume 2. The longest running current comic put out by Marvel is a book that came out when I was eight, a book that I had every variant cover for. This makes me old. This also makes me kind of sad. I think that we must view Uncanny X-Men #544 first and foremost as a moment for mourning.
The first page of this book is a reprint of the original 1963 X-Men #1 with alternate dialogue and narration. At the beginning we had Professor Charles Xavier trying to make five youngsters - Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington, III (Angel), Henry "Hank" McCoy (Beast) and Robert "Bobby" Drake - into heroes. The dream of the first issue is transformed into the nightmare of the final issue. Cyclops has, in many ways, transformed into a Magneto figure, now militaristic, segregationist, and willing to do anything for the cause. Marvel Girl has died a couple of times now. It appears that she may be permanently dead right now, unless one believes that she is likely to return in Marvel's Point One series which, at the very least, seems to deal with the return of the Phoenix in some form. Angel has gone through several transformations, but it appears that he may be the new Apocalypse and may also be irredeemable. Beast has been away with the Avengers for some time, but returns to criticize his oldest friend's deplorable methodology. And young Bobby Drake, who remains in so many ways a good-spirited child at heart, remains loyal to the school and the brighter side of the dream. Strangely, Professor Charles Xavier is never mentioned. When at first I saw a figure dictating the story of the X-Men, I thought it would be Xavier writing his own variation on There and Back Again: A Hobbit's Tale and then closing the book at the end. But Xavier is nowhere to be seen. Maybe I'm not reading all the right books, but I have yet to see mention of where Charles Xavier stands on this whole schism thing. For right now, that is my biggest mystery.
Cyclops admits, at the end of the story, that he feels that he has finally graduated from Xavier's school. In this way, Uncanny X-Men is framed as the struggle of Cyclops and his allies as they wish to accomplish the dream of a mentor. Cyclops has completed his instruction and now becomes the instructor. But did anyone else feel like the tone of this issue is incredibly dark? I got the vibe that, even in his own book, the general feeling is that Cyclops is doing the wrong thing. Going into a reboot, however, I had thought that this book would have more of a hopeful vibe. But I don't get the feeling that there is any hope on the island called Utopia. I don't believe that Cyclops or any of his followers feel hopeful for the world. As a matter of fact, the only individual who seemed the least bit hopeful at the end of Uncanny X-Men's run was Mr. Sinister. (And maybe Uncanny has always been the story of Sinister as well. He's been placed behind the scenes of so many events, after all.) Two things happen with Sinister: 1. he experiences a transformation that I don't completely understand, and 2. he acts as if he can predict the actions of Cyclops and the mutants surrounding him and, moreover, he likes what he sees. After all, he does say, "The X-Men are over. The future? Distinctly Sinister." I think we can assume that Sinister will be the main adversary over at Uncanny.
Assuming that Professor Xavier doesn't pop out of a closet in Utopia, Cyclops has been abandoned by all of his original allies. And the people who remain are mostly individuals who have often been the foes of the X-Men and the whole of the Marvel universe. In many ways, Cyclops has thrown himself into the lion's den, but in many ways he has become just as much or more of a lion than anyone else there. I've mentioned time and time again that Cyclops is one of my favorite characters, but I have a strange sinking feeling in my gut regarding Uncanny X-Men #1 and the following stories. I don't like that Uncanny seems to be the book that plays to the hawks and Wolverine and the X-Men seems to be the book that plays to the doves. Wolverine's criticism is important. If a child believes that being an X-Man entitles killing those who stand in the way of your principles, then there is a serious problem. For Uncanny to continue being a great comic, I think Scott needs to grapple very seriously with Wolverine's criticism and his reason for leaving. Maybe it is too late for a school. Maybe Wolverine is moving backward. But moving forward cannot simply mean killing for the sake of a cause. Cyclops needs to find another way. We've got enough of this might makes right talk in the United States of America, and quite frankly, I don't want to hear it in the book that has shaped a lot of my own beliefs and ideals over the years.
The Uncanny X-Men that we knew has concluded. Something completely different is coming. Uncanny X-Men #1 comes out November 2nd, but before then we will see the other side of the coin, with Wolverine and the X-Men #1 coming out next week, October the 22nd. There should be an Arthur blog up before then, but if it doesn't happen, just stare at this splash page from Uncanny X-Men #544, a page that I immediately put on my desktop background:
I think about a world to come where the books were found by the golden ones, written in pain, written in awe by a puzzled man who questioned, "What are we here for?" All the strangers came today and it looks as though they're here to stay.
-David Bowie "Oh! You Pretty Things"
Showing posts with label arthur. Show all posts
Showing posts with label arthur. Show all posts
Thursday, October 20, 2011
Thursday, October 13, 2011
X-Men: Regenesis - October 12, 2011 - A Simulblog
The following is a simulblog with Arthur of Arthur the Lesser. You ought to be forewarned: there will be spoilers.
I will link to Arthur's article when it is made available.
When Arthur agreed to simulblog the X-Men: Regenesis comics, he referred to himself as the "resident xologist," and I would have to agree. But when it comes to the X-Men, I'm no slouch myself. I may not know everything that has happened between "Operation: Zero Tolerance" and "X-Men: Schism." I may have asked a lot of questions about how Hope is now a teenager and who exactly this Dr. Nemesis guy is. But I've read every comic between 1963 and late 1988, and I'd like to believe that I know what is at the heart of the X-Men.
After the new 52 presented me with a chance to get into a lot of DC comics without having to have hundreds of issues of experience, I began to feel guilty that I had left my first love, the X-Men behind. I've spent so much time getting caught up on Green Lantern and Batman in the last year or so that I've completely stopped getting caught up on my X-comics - I should be at least to 1991 or 1992 by now, after all. At the same time, my entire twitter feed was dominated by silhouettes of who would be on which X-team after the events of X-Men: Schism, silhouettes that were slowly filled in. At work, one night, I asked my buddy Zac if X-Men: Regenesis would be a good place to start following the X-books again. He said yes, and when the fifty-two issue month of September was over I got caught up on X-Men: Schism.
In many ways, the one-shot titled X-Men: Regenesis is either an epilogue to the events of X-Men: Schism #5 or a prologue to the events of Uncanny X-Men #1 and Wolverine and the X-Men #1. The story itself is a little bit underwhelming: Wolverine and Cyclops campaign among their (former) friends and allies in order to make sure that they have the right team at their sides. In the process, we begin to understand the various motives that push characters either to stay on Utopia and join Cyclops' army or to fly to Westchester and start over with a new variation on the old theme of Xavier's dream. While the campaign trail is expressed in rational and peaceful terms, there is an underlying current of mortal combat between Wolverine and Cyclops as exemplified by a gritty primordial representation of what is happening. Are Wolverine and Cyclops campaigning? Or are they fighting to the death beside a fire wearing tribal garb? Is the tribal motif an attempt at exploring the depth psychology of the Schism aftermath, or an excuse to show our favorite X-characters in little to no clothing? I'm sure you can make that decision for yourself.
X-Men: Regenesis speaks strongly to the fact that there are plenty of reasons for choosing one side or the other, and that few of them have anything to do with what Wolverine and Cyclops are fighting about. Everyone has particular needs and motives, and many people are forced to make huge sacrifices. I'd like to take a moment to look into some of the driving forces that bring characters to one side or the other. Psylocke was one of the first characters who stood out. She agrees that she will be on Wolverine's X-Force team, but the school is not her way. She says to Wolverine, "We have to go forward. The school's the opposite of that." But when Cyclops offers a head-of-security position, there is an ambiguous discussion regarding her being a spy/counter-spy. Is Cyclops trying to get information from Wolverine's mission and block him from getting information regarding Cyclops' own mission? Gambit's motives were entirely suspect to me. He nonchalantly says, "Found all the trouble there is to find here. May as well head East." But hasn't he also found all the trouble there is to find in the East. He lived at Xavier's school for many more years than he did in Utopia. If you ask me, Gambit has three motives that he is covering up: 1. he finds a kind of kinship with Wolverine, 2. he is secretly an idealist devoted to the dream of Xavier's school, and 3. he believes that Rogue will end up there and he can rekindle his relationship with her.
But the case of Storm is where I think we need to focus. Storm believes that a lot of Scott's militaristic ventures are horrible, citing X-Force as "an abomination." She feels used by Cyclops because of her great power, and her inclination is to go to Wolverine's side. But Cyclops plays Storm and gets her on his side, making her believe that she is the good individual who will keep all of the former baddies on Cyclops' side from creating further abominations. Of course, there's already solicitations for a book called Magneto: Not a Hero, so Storm might have her work cut out for her. Of course, my reason for looking so closely at the case of Storm is that, near the end of X-Men: Regenesis she represents a case of great instability. I could see her jumping ship if she feels that Scott's mission is irredeemable. Reflecting back on the book, there are many cases of instability. Kitty and Colossus could switch sides in order to be together. The same is the case with Magneto and Rogue. The Guthries could switch sides simply because they feel cured of whatever curses them. And Emma Frost could switch sides on a whim simply because she's not getting enough attention from Scott.
At the end of the issue, we are told that Cyclops' side - Colossus, Namor, Storm, Emma Frost, Magneto, Psylocke, Hope Summers, Dazzler, Domino, Warpath, Dr. Nemesis, Cypher, Madison Jeffries, Magik, Magma, Sunspot, X-Man and Dani Moonstar - will be featured in Uncanny X-Men #1 (on sale November 2nd) while Wolverine's side - Gambit, Iceman, Kitty Pryde, Beast, Rachel Summers, Toad, Cannonball, Chamber, Husk, and Dust - will be featured in Wolverine and the X-Men #1 (on sale October 26). But there are a lot of characters who aren't on either of those lists. And some of the teams don't seem as heavily affiliated as others. X-Force seems to be at the whim of both Cyclops and Wolverine. Dazzler's X-kids team doesn't seem heavily involved with Cyclops' militaristic methodology. And X-Factor investigations seems like it may exist outside of the battle lines. And let's not forget the myriad factors that could make parties switch teams or decide to abandon the methodology of either side. While Marvel has presented Regenesis as being pretty black and white with its marketing campaign, it seems like everything is still pretty grey. Oh, and what of the fate of Professor Xavier? Where's he going? And Archangel? Has he just gone completely to the dark side? Will Cable's rebirth and X-Sanction tie in heavily?
But, finally, the most difficult question, the question at the bottom of the last page of X-Men: Regenesis: Whose side are YOU on? This has eaten away at me for some time. After all, Cyclops is probably my favorite Marvel character, and I understand that in many ways he has had to bear the weight of Xavier's dream even more heavily than Xavier himself. But the truth of the matter is that Wolverine is right. If a young mutant believes that killing all those who oppose her is what it means to be an X-Men, then Xavier's dream has failed. In other words, I'm with Wolverine. While the split is promoted as the new Blue and Gold teams that were established when (Uncanny) X-Men split off into both Uncanny X-Men and X-Men, volume two, it is also just as comparable to the X-Men and the Brotherhood of Evil Mutants, two teams who have battled on and off since X-Men #2 in 1963. And Cyclops' side is the none with all the villains on it, villains who are always switching sides, and why stop now? In many ways, Wolverine's decision is a step backwards, and the events that are unfolding make it irresponsible to presume that simply opening a school is enough, but Wolverine's decision is the right decision.
Next week's Regenesis title is Uncanny X-Men #544, the final issue of Marvel's longest running comic book series. It should be awfully sad, especially since I've read a few hundred of those issues myself. Until then, read Arthur's article, once it is up. And don't forget to weigh in on whose side you are on.
I will link to Arthur's article when it is made available.
When Arthur agreed to simulblog the X-Men: Regenesis comics, he referred to himself as the "resident xologist," and I would have to agree. But when it comes to the X-Men, I'm no slouch myself. I may not know everything that has happened between "Operation: Zero Tolerance" and "X-Men: Schism." I may have asked a lot of questions about how Hope is now a teenager and who exactly this Dr. Nemesis guy is. But I've read every comic between 1963 and late 1988, and I'd like to believe that I know what is at the heart of the X-Men.
After the new 52 presented me with a chance to get into a lot of DC comics without having to have hundreds of issues of experience, I began to feel guilty that I had left my first love, the X-Men behind. I've spent so much time getting caught up on Green Lantern and Batman in the last year or so that I've completely stopped getting caught up on my X-comics - I should be at least to 1991 or 1992 by now, after all. At the same time, my entire twitter feed was dominated by silhouettes of who would be on which X-team after the events of X-Men: Schism, silhouettes that were slowly filled in. At work, one night, I asked my buddy Zac if X-Men: Regenesis would be a good place to start following the X-books again. He said yes, and when the fifty-two issue month of September was over I got caught up on X-Men: Schism.
In many ways, the one-shot titled X-Men: Regenesis is either an epilogue to the events of X-Men: Schism #5 or a prologue to the events of Uncanny X-Men #1 and Wolverine and the X-Men #1. The story itself is a little bit underwhelming: Wolverine and Cyclops campaign among their (former) friends and allies in order to make sure that they have the right team at their sides. In the process, we begin to understand the various motives that push characters either to stay on Utopia and join Cyclops' army or to fly to Westchester and start over with a new variation on the old theme of Xavier's dream. While the campaign trail is expressed in rational and peaceful terms, there is an underlying current of mortal combat between Wolverine and Cyclops as exemplified by a gritty primordial representation of what is happening. Are Wolverine and Cyclops campaigning? Or are they fighting to the death beside a fire wearing tribal garb? Is the tribal motif an attempt at exploring the depth psychology of the Schism aftermath, or an excuse to show our favorite X-characters in little to no clothing? I'm sure you can make that decision for yourself.
X-Men: Regenesis speaks strongly to the fact that there are plenty of reasons for choosing one side or the other, and that few of them have anything to do with what Wolverine and Cyclops are fighting about. Everyone has particular needs and motives, and many people are forced to make huge sacrifices. I'd like to take a moment to look into some of the driving forces that bring characters to one side or the other. Psylocke was one of the first characters who stood out. She agrees that she will be on Wolverine's X-Force team, but the school is not her way. She says to Wolverine, "We have to go forward. The school's the opposite of that." But when Cyclops offers a head-of-security position, there is an ambiguous discussion regarding her being a spy/counter-spy. Is Cyclops trying to get information from Wolverine's mission and block him from getting information regarding Cyclops' own mission? Gambit's motives were entirely suspect to me. He nonchalantly says, "Found all the trouble there is to find here. May as well head East." But hasn't he also found all the trouble there is to find in the East. He lived at Xavier's school for many more years than he did in Utopia. If you ask me, Gambit has three motives that he is covering up: 1. he finds a kind of kinship with Wolverine, 2. he is secretly an idealist devoted to the dream of Xavier's school, and 3. he believes that Rogue will end up there and he can rekindle his relationship with her.
But the case of Storm is where I think we need to focus. Storm believes that a lot of Scott's militaristic ventures are horrible, citing X-Force as "an abomination." She feels used by Cyclops because of her great power, and her inclination is to go to Wolverine's side. But Cyclops plays Storm and gets her on his side, making her believe that she is the good individual who will keep all of the former baddies on Cyclops' side from creating further abominations. Of course, there's already solicitations for a book called Magneto: Not a Hero, so Storm might have her work cut out for her. Of course, my reason for looking so closely at the case of Storm is that, near the end of X-Men: Regenesis she represents a case of great instability. I could see her jumping ship if she feels that Scott's mission is irredeemable. Reflecting back on the book, there are many cases of instability. Kitty and Colossus could switch sides in order to be together. The same is the case with Magneto and Rogue. The Guthries could switch sides simply because they feel cured of whatever curses them. And Emma Frost could switch sides on a whim simply because she's not getting enough attention from Scott.
At the end of the issue, we are told that Cyclops' side - Colossus, Namor, Storm, Emma Frost, Magneto, Psylocke, Hope Summers, Dazzler, Domino, Warpath, Dr. Nemesis, Cypher, Madison Jeffries, Magik, Magma, Sunspot, X-Man and Dani Moonstar - will be featured in Uncanny X-Men #1 (on sale November 2nd) while Wolverine's side - Gambit, Iceman, Kitty Pryde, Beast, Rachel Summers, Toad, Cannonball, Chamber, Husk, and Dust - will be featured in Wolverine and the X-Men #1 (on sale October 26). But there are a lot of characters who aren't on either of those lists. And some of the teams don't seem as heavily affiliated as others. X-Force seems to be at the whim of both Cyclops and Wolverine. Dazzler's X-kids team doesn't seem heavily involved with Cyclops' militaristic methodology. And X-Factor investigations seems like it may exist outside of the battle lines. And let's not forget the myriad factors that could make parties switch teams or decide to abandon the methodology of either side. While Marvel has presented Regenesis as being pretty black and white with its marketing campaign, it seems like everything is still pretty grey. Oh, and what of the fate of Professor Xavier? Where's he going? And Archangel? Has he just gone completely to the dark side? Will Cable's rebirth and X-Sanction tie in heavily?
But, finally, the most difficult question, the question at the bottom of the last page of X-Men: Regenesis: Whose side are YOU on? This has eaten away at me for some time. After all, Cyclops is probably my favorite Marvel character, and I understand that in many ways he has had to bear the weight of Xavier's dream even more heavily than Xavier himself. But the truth of the matter is that Wolverine is right. If a young mutant believes that killing all those who oppose her is what it means to be an X-Men, then Xavier's dream has failed. In other words, I'm with Wolverine. While the split is promoted as the new Blue and Gold teams that were established when (Uncanny) X-Men split off into both Uncanny X-Men and X-Men, volume two, it is also just as comparable to the X-Men and the Brotherhood of Evil Mutants, two teams who have battled on and off since X-Men #2 in 1963. And Cyclops' side is the none with all the villains on it, villains who are always switching sides, and why stop now? In many ways, Wolverine's decision is a step backwards, and the events that are unfolding make it irresponsible to presume that simply opening a school is enough, but Wolverine's decision is the right decision.
Next week's Regenesis title is Uncanny X-Men #544, the final issue of Marvel's longest running comic book series. It should be awfully sad, especially since I've read a few hundred of those issues myself. Until then, read Arthur's article, once it is up. And don't forget to weigh in on whose side you are on.
Thursday, September 1, 2011
The New DCU: August 31, 2011 - A Simulblog
The following is a simulblog with Chad P. of Political Jesus, Josh Toulouse of Fat Train, and Arthur of Arthur the Lesser. You ought to be forewarned: there will be spoilers.
Chad's article, "Savage Nerdery: The New Genesis of DC Comics, A Simulblog," can be found here.
Josh's article, "The New DCU: August 31, 2011, A Simulblog," can be found here.
And Arthur's article, "Why I Can't Simulblog," can be found here.
In the scheme of things, I don't know much about the old DC universe. And maybe that means that this new DCU was created for me. As a matter of fact, if it weren't for the influence of Josh Toulouse, Arthur, Amy Bolan and Chad P., I'd probably still be shouting out, "Make mine Marvel" and reading every single X-Men-based comic since 1963. (I've made it all the way to the last months of 1988. That's 25 years of comics.) Since I'm not exactly the oldest supporter of DC comics, I thought I'd lay it all out for you. I've read select Batman stories from 1987's Batman: Year One to 1993's Batman: Knightfall, select Green Lantern stories from the destruction of Coast City in the 1990s to the last few comics before Blackest Night, some stand-alone stories like Elseworld Batman tales and All-Star Superman, and I've been present for several conversations regarding the DCU. The only thing I know about Flash or Wonder Woman is what I learn in cross-overs like Final Crisis. I am a noob to the DCU, and this is the perspective that I am bringing to this simulblog series.
I believe that it is significant that Justice League #1 is the first comic book to be released in the new DCU. With a release date of August 31, 2011, it is the only comic book of the new 52 that doesn't have a September release. Furthermore, its permanent spot on the release schedule is the third week, with Justice League #2 coming out on October 19, 2011. Justice League's September release came out almost a full month early. I think this points to one of the most interesting architectural changes the DCU has ever seen. Whereas the original DCU began with independent heroes isolated to their particular city and acting out independent stories with independent sets of villains only to be brought together somewhat awkwardly a couple decades later, the new DCU begins with unity. The old DCU set up its borders, whereas the new DCU begins with heroes crossing borders. Justice League #1 begins with the Green Lantern of Coast City crossing into Batman's Gotham City and it ends with both heroes crossing into Superman's Metropolis. Hal Jordan comments that the entire space sector belongs to him, but his concept of dominion is soon changed when Superman knocks him flat on his butt.
This serves as a good segue-way into a discussion of who's who in the Justice League, and what the purpose and effect of the Justice League will be in the new DCU. Already we've met Batman, Green Lantern, and Superman. (Since these three are the main characters of the first issue, does this mean that the Big Three of the old DCU, Superman, Batman, and Wonder Woman, are about to be overthrown?) Batman is somewhat insular and brainy, and when he meets Hal Jordan he almost seems as if he's something of a socially inept geek. Of course, he wows Green Lantern by his crime-fighting prowess despite his lack of super powers. Hal Jordan, the Green Lantern, is incredibly over-confident, and it seems clear that he has yet to be knocked down a few pegs by a truly good villain (or by Superman). Batman makes it clear that if he keeps shining his light everywhere he's going to get people killed. Some things never change. Superman is perceived as a rogue alien from Metropolis, and despite the confidence of both Batman and Green Lantern it seems to me that the two heroes are merely covering over the fact that they're kind of terrified of this Kryptonian powerhouse.
The first words that Geoff Johns writes in Justice League #1 are: "There was a time when the world didn't call them its greatest super heroes. There was a time when the world didn't know what a super-hero was." Clearly, by "them" Johns intends to name the Justice League. One is lead to believe that the time when the world didn't value or know of super-heroes includes the events of this issue, which happened five years ago. Not only were the members of the Justice League unknown; they were downright feared. The first part of the story features the Gotham City Police Department indiscriminately firing upon both Batman and the alien that he is chasing (and later Green Lantern). One officer communicates over the radio, "Is it one of them?" and is answered, "The way they're leaping twenty feet at a time? I'd say yes." This leads one to believe that the humans are scared of what in the old DCU would be called metas, individuals with super powers. (Ironically, the GCPD considers Batman "one of them," a meta.) The second part of the story features a Superman who may not stand for truth, justice and the American way, who may not have taken to heart all the simple country values of his Smallville origin and the responsibility that his powers entail. This may just be a self-serving Superman, and he may just be the reason why the world is up in arms against metas. Of course, this is only the state of events from five years ago, a dark period in the history of the new DCU perhaps, but in this same opening we are given hope. Johns suggests that the Justice League will become the greatest heroes, and perhaps just as importantly, the world will recognize them as such.
On the surface it appears that Darkseid is going to be the villain who unites the Justice League and allows them to rise to their rightful place in the new DCU. The alien that Batman tracked through his detective skills and that Green Lantern tracked with the alien-detecting device known as his Green Lantern power ring mentioned the villain before self-detonating. The alien that it took both Batman and Green Lantern to defeat was merely a minion of a higher power, the power of Darkseid. Darkseid and his army of followers are certainly a big enough threat to require the combined power of the world's heroes. Of course, this would be too simple. When the heroes duke it out in Metropolis, they do so in a demolition zone, a site that is being prepared for Lexcorp construction. The sign promises that Lexcorp is "building the city of tomorrow today." An astute reader will notice this and wonder if Lex Luthor is the true villain behind the events that will assemble the Justice League. Of course, this is a new universe: perhaps Lex Luthor is to the Justice League what Professor Charles Xavier is to the X-Men in the Marvel Universe (or what Nick Fury is to the Avengers in the Marvel Cinematic Universe).
Overall, the new DCU appears to be focusing on subtle storytelling rather than flashy new adventures. Of course, that may just be Geoff Johns, but with Justice League as the flagship comic book, it would seem that other writers will be pushed to do the same with their titles. Not only will the new DCU be populated with new and interesting takes on characters, but it appears that a large span of time will be populated with new and interesting takes on the stories that these characters enact. Already, we have a look at what the world looks like five years ago in Justice League #1. I think we can assume that some titles will start their stories now whereas other titles might plunge back even further. We have met Batman, Green Lantern, and Superman, but we don't know how they come to be heroes. I'm not 100% certain where Johns is going with the Victor Stone/Cyborg story, but it seems interesting. It looks to me like Vic's father is spending all of his time studying metas so that his football playing son might some day walk among them as an equal. Of course, there's always that chance that Vic Stone might be transformed into Cyborg as a means of humanity fighting against the metas. Oh, and I'm sure that we'll see Wonder Woman, Aquaman and Flash at some point, too. After all, they are on the cover...
Next week, I intend to read every single new release. That means I will be reading Action Comics #1 (with Grant Morrison!), Animal Man #1, Batgirl #1 (I'm really interested to see how this one plays out), Batwing #1, Detective Comics #1, Green Arrow #1, Hawk and Dove #1, Justice League International #1, Men of War #1, O.M.A.C. #1, Static Shock #1, Storm Watch #1, and Swamp Thing #1. Of course, since I don't believe I could possibly read every DC comic for the rest of my life, I'll probably start crossing comics off the list if they don't interest me as much. Until then, however, read Chad P.'s article, "Savage Nerdery," Josh Toulouse's article, "The New DCU," and Arthur's article, "Why I Can't Simulblog." And don't forget to leave your own opinion on the new DCU.
Chad's article, "Savage Nerdery: The New Genesis of DC Comics, A Simulblog," can be found here.
Josh's article, "The New DCU: August 31, 2011, A Simulblog," can be found here.
And Arthur's article, "Why I Can't Simulblog," can be found here.
In the scheme of things, I don't know much about the old DC universe. And maybe that means that this new DCU was created for me. As a matter of fact, if it weren't for the influence of Josh Toulouse, Arthur, Amy Bolan and Chad P., I'd probably still be shouting out, "Make mine Marvel" and reading every single X-Men-based comic since 1963. (I've made it all the way to the last months of 1988. That's 25 years of comics.) Since I'm not exactly the oldest supporter of DC comics, I thought I'd lay it all out for you. I've read select Batman stories from 1987's Batman: Year One to 1993's Batman: Knightfall, select Green Lantern stories from the destruction of Coast City in the 1990s to the last few comics before Blackest Night, some stand-alone stories like Elseworld Batman tales and All-Star Superman, and I've been present for several conversations regarding the DCU. The only thing I know about Flash or Wonder Woman is what I learn in cross-overs like Final Crisis. I am a noob to the DCU, and this is the perspective that I am bringing to this simulblog series.
I believe that it is significant that Justice League #1 is the first comic book to be released in the new DCU. With a release date of August 31, 2011, it is the only comic book of the new 52 that doesn't have a September release. Furthermore, its permanent spot on the release schedule is the third week, with Justice League #2 coming out on October 19, 2011. Justice League's September release came out almost a full month early. I think this points to one of the most interesting architectural changes the DCU has ever seen. Whereas the original DCU began with independent heroes isolated to their particular city and acting out independent stories with independent sets of villains only to be brought together somewhat awkwardly a couple decades later, the new DCU begins with unity. The old DCU set up its borders, whereas the new DCU begins with heroes crossing borders. Justice League #1 begins with the Green Lantern of Coast City crossing into Batman's Gotham City and it ends with both heroes crossing into Superman's Metropolis. Hal Jordan comments that the entire space sector belongs to him, but his concept of dominion is soon changed when Superman knocks him flat on his butt.
This serves as a good segue-way into a discussion of who's who in the Justice League, and what the purpose and effect of the Justice League will be in the new DCU. Already we've met Batman, Green Lantern, and Superman. (Since these three are the main characters of the first issue, does this mean that the Big Three of the old DCU, Superman, Batman, and Wonder Woman, are about to be overthrown?) Batman is somewhat insular and brainy, and when he meets Hal Jordan he almost seems as if he's something of a socially inept geek. Of course, he wows Green Lantern by his crime-fighting prowess despite his lack of super powers. Hal Jordan, the Green Lantern, is incredibly over-confident, and it seems clear that he has yet to be knocked down a few pegs by a truly good villain (or by Superman). Batman makes it clear that if he keeps shining his light everywhere he's going to get people killed. Some things never change. Superman is perceived as a rogue alien from Metropolis, and despite the confidence of both Batman and Green Lantern it seems to me that the two heroes are merely covering over the fact that they're kind of terrified of this Kryptonian powerhouse.
The first words that Geoff Johns writes in Justice League #1 are: "There was a time when the world didn't call them its greatest super heroes. There was a time when the world didn't know what a super-hero was." Clearly, by "them" Johns intends to name the Justice League. One is lead to believe that the time when the world didn't value or know of super-heroes includes the events of this issue, which happened five years ago. Not only were the members of the Justice League unknown; they were downright feared. The first part of the story features the Gotham City Police Department indiscriminately firing upon both Batman and the alien that he is chasing (and later Green Lantern). One officer communicates over the radio, "Is it one of them?" and is answered, "The way they're leaping twenty feet at a time? I'd say yes." This leads one to believe that the humans are scared of what in the old DCU would be called metas, individuals with super powers. (Ironically, the GCPD considers Batman "one of them," a meta.) The second part of the story features a Superman who may not stand for truth, justice and the American way, who may not have taken to heart all the simple country values of his Smallville origin and the responsibility that his powers entail. This may just be a self-serving Superman, and he may just be the reason why the world is up in arms against metas. Of course, this is only the state of events from five years ago, a dark period in the history of the new DCU perhaps, but in this same opening we are given hope. Johns suggests that the Justice League will become the greatest heroes, and perhaps just as importantly, the world will recognize them as such.
On the surface it appears that Darkseid is going to be the villain who unites the Justice League and allows them to rise to their rightful place in the new DCU. The alien that Batman tracked through his detective skills and that Green Lantern tracked with the alien-detecting device known as his Green Lantern power ring mentioned the villain before self-detonating. The alien that it took both Batman and Green Lantern to defeat was merely a minion of a higher power, the power of Darkseid. Darkseid and his army of followers are certainly a big enough threat to require the combined power of the world's heroes. Of course, this would be too simple. When the heroes duke it out in Metropolis, they do so in a demolition zone, a site that is being prepared for Lexcorp construction. The sign promises that Lexcorp is "building the city of tomorrow today." An astute reader will notice this and wonder if Lex Luthor is the true villain behind the events that will assemble the Justice League. Of course, this is a new universe: perhaps Lex Luthor is to the Justice League what Professor Charles Xavier is to the X-Men in the Marvel Universe (or what Nick Fury is to the Avengers in the Marvel Cinematic Universe).
Overall, the new DCU appears to be focusing on subtle storytelling rather than flashy new adventures. Of course, that may just be Geoff Johns, but with Justice League as the flagship comic book, it would seem that other writers will be pushed to do the same with their titles. Not only will the new DCU be populated with new and interesting takes on characters, but it appears that a large span of time will be populated with new and interesting takes on the stories that these characters enact. Already, we have a look at what the world looks like five years ago in Justice League #1. I think we can assume that some titles will start their stories now whereas other titles might plunge back even further. We have met Batman, Green Lantern, and Superman, but we don't know how they come to be heroes. I'm not 100% certain where Johns is going with the Victor Stone/Cyborg story, but it seems interesting. It looks to me like Vic's father is spending all of his time studying metas so that his football playing son might some day walk among them as an equal. Of course, there's always that chance that Vic Stone might be transformed into Cyborg as a means of humanity fighting against the metas. Oh, and I'm sure that we'll see Wonder Woman, Aquaman and Flash at some point, too. After all, they are on the cover...
Next week, I intend to read every single new release. That means I will be reading Action Comics #1 (with Grant Morrison!), Animal Man #1, Batgirl #1 (I'm really interested to see how this one plays out), Batwing #1, Detective Comics #1, Green Arrow #1, Hawk and Dove #1, Justice League International #1, Men of War #1, O.M.A.C. #1, Static Shock #1, Storm Watch #1, and Swamp Thing #1. Of course, since I don't believe I could possibly read every DC comic for the rest of my life, I'll probably start crossing comics off the list if they don't interest me as much. Until then, however, read Chad P.'s article, "Savage Nerdery," Josh Toulouse's article, "The New DCU," and Arthur's article, "Why I Can't Simulblog." And don't forget to leave your own opinion on the new DCU.
Friday, February 25, 2011
Cavemengo Anecdotes - Arthur
I keep mine short and sweet: irreverence is not the opposite of reverence, it is its better looking but possibly involved cousin from out of town that you wish would switch spots with the local. You know that cousin--the one you only introduce your friends to if they'll admit you're the one who hooked them up. The irreverent challenges while loving simultaneously, obscures by scrutinizing, and is loyal in it's analysis.
Here's to years more of Caveman Go and its foxy appeal as the obtainable mystery seeking ambiguous orthodoxy in the world outside pop.
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